Archive for the 'Alfredo and Isabel Aquilizan' Category

New Interpretations of Past Lives

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Fort Lytton was used throughout the first and second world wars and even earlier to defend our city against possible enemy invasion and was a key quarantine centre through which many members of our multicultural community passed through on their entry to Australia.

Download the program and invite for this event

Saturday November 14th
Late afternoon into evening

The Interpretations of place and history on Saturday November 14th by these key artists, many of whom exhibit internationally, will provide a truly memorable exciting program with enough flexibility for both families as well as those wishing to make a night of it to have an unusual Saturday outing.

Elizabeth Woods has worked with a number of migrant women to collect recipes of cakes and will present a free afternoon tea served in a war time style café. Don’t forget to see her 2 screen video projection in the old autoclave room which houses the huge original steam machine used by Quarantine officers.

Pat Hoffie recreates a dramatic Troop Drill with members of local pony clubs against the backdrop of historical images projected onto the fort.

Megan Cope reminds us of the indigenous history of the site and the war fought by Aboriginals at the beginning of colonisation with her haunting sound work and night time projection.

Isabel and Alfredo Aquilizan create strange contemporary yet archaic instruments in various rooms of the fort to enable us to look closely at the deep history embedded in the markings on the walls.

Plus: Quarantine, an installation of ‘outsiders’ which not only celebrates diversity in all its forms but also champions and fosters it in a world that is threatened by conformity and control. The installation throws a spotlight on the way Fort Lytton residents were temporarily quarantined in the back room and striated according to their status as first, second or ‘cattle class’ passengers for fear of infectious diseases or contaminants they may have been carrying.

Sunday November 15th
10am – 4pm

Sunday’s program features a keynote series of performances called Getting The Message Through At All Costs by Victorian artists Aleks Danko and Jude Walton. The performances are staged to coincide with the normal Fort Lytton volunteer tours taken by the Fort Lytton Historical Association.

Getting The Message Through At All Costs responds to the architectural features of the buildings and environs of Fort Lytton: the enclosure and containment of the Fort, the underground, almost entombed quality of the corridors and rooms, their acoustic properties, and the ways they inter-connect/intersect—juxtaposed with the surrounding large, open landscape of sky and sea.

These spaces are re-activated by the introduction of site-specific objects and live performers to create a circular palimpsest of actions, sounds, objects, images, scenarios, that the audience/viewer moves through constructing their own mini-narratives.
Also during your visit to Fort Lytton see works by Elizabeth Woods, Isabel and Alfredo Aquilizan.

Special Preview Event
Also as a prelude to the Aleks Danko and Jude Walton performance at Fort Lytton a performance of the Orderly Bugler’s Duties by two buglers will take place in various parts of King George Square, Brisbane on Tuesday November 10 from 6am to 6pm (from ‘Reveille to Lights Out’).

Sunday November 15th at Fort Lytton

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Program – Sunday at Fort Lytton

10.00–11.00am
Elizabeth Woods — morning tea performance in Conference Centre

10.00am–4.00pm
Isabel and Alfrerdo Aquilizan Installation in the Fort
Elizabeth Woods — twin projection video in Autoclave room
Quarantine — exhibition by Zoe Porter, David Spooner and Eric Rossi in Conference Centre

10.30am, 11.30am, 12,30pm and 2.15pm
Performance by Aleks Danko, Jude Walton and collaborators in the Fort linked to regular volunteer tours

3.00–4.00pm
Elizabeth Woods — afternoon tea performance in Conference Centre

Saturday November 14 at Fort Lytton

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Program – Saturday at Fort Lytton

4.00–5.00pm
Elizabeth Woods — afternoon tea performance in Conference Centre

4.00–10.00pm
Elizabeth Woods — twin projection video in Autoclave room
Quarantine — exhibition by Zoe Porter, David Spooner and Eric Rossi in Conference Centre

5.00–6.40pm
Fort Lytton Museums opened
Music on the grass
First session of sausage sizzle and drinks (non alcoholic)

5.00–6.00pm
Special guided tour by actors in uniform of Fort and artist installations

6.45pm
Audience march to Amphitheatre for Pat Hoffie performance

7.00–7.20pm
Pat Hoffie Troop Drill performance in Amphitheatre

7.20–8.00pm
Self directed night tours of Fort lit by kerosene lamps
Installations in Fort by Megan Cope, Isabel and Alfredo Aquilizan and Aleks Danko and Jude Walton

7.30–8.30pm
Second session of Sausage Sizzle and drinks (alcoholic and non alcoholic)

8.00–9.40pm
Music on the grass
Music performed by Bessy-Lo

Alfredo and Isabel Aquilizan – Passage

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FORT LYTTON, NOVEMBER 14/15

Fort Lytton has various levels of history available. For the casual visitor who simply explores the existent building there are traces of what the building was used for and sometimes names of rooms that indicate their use.  Some of the most interesting traces are in the marks and stains on the walls and elements like swallows nests attest to the way nature takes back man made buildings.

Passage investigates the the idea of time and memory, place and history, processes and transitions. The essence of Alfredo and Isabel Aquilizan’s project is to explore the idea of looking in detail in order to understand the larger history of place and to implicate the viewer in the project and in history itself. The museum uses objects used at the site and carefully preserved in another building and old photographs to understand the place. Passage employs a scientific methodology not normally used to understand such a place.

Passage takes place both on web and insitu at Fort Lytton.  An interactive website will allow participants to view in detail the traces of the fort and to contribute an imaginary text to match an image. At Fort Lytton the artists have designed a viewing installation replete with magnifying instruments in various rooms of the building, which again will invite people to leave their texts, stories and tales. The writing component of the piece is perhaps the pivotal aspect of the work. It opens up the possibility to democratise the artwork by expanding the authoring of it. The texts made on site, together with those posted online, in turn will become part of the installation and possibly take a future form as a published text,in other words, another kind of historical text.